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Megan O’Grady is a critic and essayist whose writing draws from history, memoir, and the lyric essay. Her magazine and newspaper journalism on contemporary art and literature are often extensions of larger inquiries into representation and identity, explored through immersive reading and looking. The personal and social contexts of art and the way in which it negotiates cultural conversations over time are ongoing preoccupations. A frequent contributor to The New York Times, where she created the Culture Therapist column, her work also appears in The New Yorker, The New York Review of Books, and Vogue, where she was once a contributing editor. Her book, How It Feels to Be Alive: Encounters with Art and Our Selves (Farrar, Straus & Giroux) considers the influence of books and art on our attention and imagination, their rippling impact on our self-conception and the way we move in the world.

Megan has taught at Pratt Institute and The School of the Art Institute of Chicago. In 2012, she was the Arts Fellow at the Nieman Foundation for Journalism at Harvard University. She has an MFA from New York University and a BA from Rice University.

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